JENNIE C. JONES

Listening as a Conceptual Practice

  • HOME
  • PROJECTS
    • 2020 Constant Structure
    • 2019 RPM (The Glass House)
    • 2018 - ALTERNATE TAKES
    • 2017 - AMPLITUDE
    • 2016 - COMPLIATION
    • 2015 - GROUP
    • 2014 - TONE
    • 2013 - HIGHER RESONANCE
    • 2012 - HARMONIC
    • 2011 - ABSORB, SILENCE
    • 2010 - ELECTRIC
    • 2000's - Early Work
  • 2021 NEWS
  • SOUND
  • ARTICLES & REVIEWS
  • PUBLICATIONS
  • CV
  • ABOUT /INQUIRES
  • HOME
    • 2020 Constant Structure
    • 2019 RPM (The Glass House)
    • 2018 - ALTERNATE TAKES
    • 2017 - AMPLITUDE
    • 2016 - COMPLIATION
    • 2015 - GROUP
    • 2014 - TONE
    • 2013 - HIGHER RESONANCE
    • 2012 - HARMONIC
    • 2011 - ABSORB, SILENCE
    • 2010 - ELECTRIC
    • 2000's - Early Work
  • 2021 NEWS
  • SOUND
  • ARTICLES & REVIEWS
  • PUBLICATIONS
  • CV
  • ABOUT /INQUIRES

Selected Articles & Reviews

LINKS:

SURFACE Magazine: Specific Objects: Architects, Designers, and Artists on Donald Judd - MARCH 2020

ARTFORUM - Critics Pick March 2018

ARTFORUM - Critics Pick February 2016

Just Listen: The Minimalist Art of Jennie C. Jones Houston Chronicle January 2016

Soundcheck Interview with John Schaefer on NPR

Art Forum Review, May 2013

National Endowment for the Arts - NEA Podcast Interview Project

Art Daily - Wein Prize Announcement

HIrshhorn Museum and Sculpture Garden, High Resonance Project

Huffington Post, Jennie C. Jones A Conversation & Portfolio

BOMB Magazine, #118 Winter Issue

WIRE Review J. C. Jones

SAN FRANCISCO Chronicle, review 2011

Sikkema, Jenkins & Co. Press Release, ELECTRIC, 2010

The New York Times, Review - July, 2010

Modern Painters Magazine, January 2009

Oakazine Issue #4 Spring 2008