Deep Tone with Bold Double Bar Line, 2014 --Acoustic absorber panel and acrylic paint on canvas
48 x 48 inches

Vertical into Crescendo (light), 2014 -- Acoustic absorber panel and acrylic paint on canvas
2 parts: 48 x 36 inches each, 98.25 x 36 inches overall

Quiet Gray with Red Reverberation #2, Acoustic absorber panel and acrylic paint on canvas 48 x 38 inches, 2014

SHHH, The Red Series #2, Noise cancelling instrument cable, cable ties and endpin jacks 44 x 9 x 4.75 inches 2014

SHHH, The Red Series #3--Noise cancelling instrument cable, cable ties and endpin jacks 39 x 8 x 6.25 inches 2014

Quiet Gray with ¾ Red Reverberation -- Acoustic absorber panel and acrylic paint on canvas
48 x 36 inches, 2014 : Collection of Arthur Lewis

TONE, Instillation View

A Score in 8 Measures (for Melba Liston) -- Mixed media collage on paper 8 parts 22.375 x 14.5 inches each 2014

DETAIL, From A Score for Melba Liston, 2014

Instillation view

Instillation View

Vertical into Decrescendo (dark), -- Acoustic absorber panel and acrylic paint on canvas, 98.25 x 36 inches overall, 2014

Solo, Vertical, into Crescendo - Acoustic absorber panel and acrylic paint on canvas 48 x 36 inches

Instillation view

Quiet Gray with Black Sub-tone #1 & 2, Acoustic absorber panel and acrylic paint on canvas -- Overall: 48 x 44.125 inches

From the Clusterfuck Series, earbuds, twist ties & laytex 6 x 18 inches, 2014

JENNIE C. JONES

Listening as a Conceptual Practice